Bild: Melville som Parvulesco i Godards film À bout de souffle (Youtube) I filmer som Le Deuxième

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(Le Samourai/Frankrike 1967, 101 min). Enkel skildring av en ensam Delon, Cathy Rosier, Jacques Le Roy. Regi: Jean-Pierre Melville.

There is no solitude greater than the samurai’s, unless perhaps it be that of a tiger in the jungle. Melville, in an interview excerpt by Rui Nogueira for a book published in 1971 ("Melville on Melville"), said that he began writing the story of Le Samourai (1967) with the simple notion that "the only alibi you can really count on in life is one backed up by the woman who loves you." Jean-Pierre Melville's Le Samouraï depicts one of the most interesting characters from the French New Wave: Alain Delon's Jef Costello. A cold and almost completely silent contract killer, Jef is explicitly meant to symbolize the Japanese idea of the samurai from which the film gets its title. Melville is God to me.

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He disdains artificial action sequences and manufactured payoffs. 2014-10-05 Minimal and breathtaking, Jean-Pierre Melville’s Le Samourai features an icy and smoldering lead performance from one of the most beautiful human beings to ever grace the big screen: Alain Delon.. Much like in my recent reviews of Blade Runner 2049 and Atomic Blonde, my thoughts on Le Samourai turn quickly to style as the film’s most defining characteristic. In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean‑Pierre Melville Melville shows us his lone killer’s methodical precision with great flair, and the police manhunt through the Métro is as good an action sequence as any. The film opens with a purported line from the Book of Bushido – the source of the Japanese warrior class’s knowledge: “There is no greater solitude than that of the samurai, unless perhaps it be that of the tiger in the jungle.” featuring Melville’s friend Béby, one of the great stars of the French circus.

A razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture--with a liberal dose of Japanese lone-warrior mythology--mav Melville, filmé dans sa propriété des Yvelines, s’empare de plusieurs planches de bois qu’il cloue sur ses fenêtres pour s’assurer qu’aucun fil de lumière ne saurait passer. Le Samouraï (1967, Jean-Pierre Melville) In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts.

Melville’s anachronistic lone warrior/assassin/samurai type wandering through 1967 Paris with its modern metro, fast cars and chic night clubs calls to mind the figure of the drifting samurai/gangster/assassin in cult auteur Seijun Suzuki’s 1960s samurai and yakuza films, especially Kanto Wanderer (1963) and Tokyo Drifter.

His frames of reference are stringent and dispense with much establishing data we may feel we have a “right” to expect. Samuraj killer (Le samouraï) är en fransk-italiensk film från 1967, regisserad av Jean-Pierre Melville och med Alain Delon i huvudrollen.. Handling. Jef Costello är en yrkesmördare i Paris som blir sedd av pianisten Valerie när han dödar ägaren till en nattklubb.

Watch: 16-Minute Video Essay About Jean-Pierre Melville's Masterpiece 'Le Samourai'. The white gloves. The jingling keys. The singing canary. The silence. Alain Delon as ice-cold death merchant

Se hela listan på fr.wikipedia.org Jean-Pierre Melville, Actor: À bout de souffle. The name "Melville" is not immediately associated with film. It conjures up images of white whales and crackbrained captains, of naysaying notaries and soup-spilling sailors. It is the countersign to a realm of men and their deeds, both heroic and villainous. It is the American novel, with its Ishmaels and its Claggarts a challenge to the Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

Melville’s writing is intricate with a methodical attention to realistic detail. Le Samourai is like The Conversation meets The French Connection with a bit of John Wick on the side. His drama ranges from planning out an assassination hit to the police trailing the hitman around Paris.
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Melville samourai

That is exactly like with Alain Delon in Le Samourai. Le Samouraï Theme Remix Soundtrack ~ Composed by François De Roubaix From the film Le SamouraÏ Directed by JeanPierre Melville  Producer Tomoyuki Tanaka and sons Akira Kurosawa on Toshiro Mifune Alain Delon in Le Samourai. Melville, 1967 Andrei Tarkovsky on the set of Mirror… Nedladdning Melville, le dernier samouraï.

The jingling keys. The singing canary.
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1967-10-25

It is impossible to understand until Melville wants you to realize. Melville is God to me.